Features

Opera is an art form replete with tales. Find your way through narratives, adventures, and biographies. Find out how opera brings many streams of the arts together.

Bryn Mir Williams & Johannes Grosso.
How to win an audition

It's a long way from hobby to career and there are a number of challenges that young talents have to overcome. One of these is the audition process for a position in an orchestra.

Dame Sarah Connolly
Dame Sarah Connolly Masterclass

Every month, OperaVision sets out to meet young artists around the world and give them a platform by streaming new performances, documentaries, concerts, masterclasses and podcasts. This time we are off to London, where National Opera Studio - the leading opera training organisation in the United Kingdom - welcomed acclaimed British mezzo-soprano Dame Sarah Connolly to lead a masterclass with three young artists. In this 3-part masterclass, soprano Julieth Lozano (Colombia), tenor Philip Clieve (United Kingdom) and mezzo-soprano Arlene Belli (Italy) explore repertoire by Handel and Britten.

Masque of Might
Reinventing Purcell

In honour of Opera North’s Masque of Might, Nicholas Payne reflects on recent productions offering new ways to stage the work of Henry Purcell.

Anne-Marie Antwerpen
From Studio to Stage

Rehearsing two roles in a foreign language in just a few weeks – not an easy job! In this episode of Young Artists at Oper Frankfurt, we accompany the young soprano Karolina Bengtsson as she prepares for the revival of Leoš Janáček's The Cunning Little Vixen. 

Cassandra Feature
Who is Cassandra?

In one of the most intriguing scenes in Bernard Foccroulle’s Cassandra, the mythological protagonist lingers in the library of the dead. Stoically, she declares that the books that surround her do not tell her full story. But who then is Cassandra? Who is this woman who, with her gift and her curse, captured the imagination of so many of our literary forebears and lives on today in countless stories and retellings – including a new opera?

Metastasio
Metastasio - 28 opera librettos and still counting

Metastasio’s heritage consists of 28 opera librettos, 8 librettos for oratorios, 36 for serenades and 37 for cantatas and is completed by a large number of songs, compliments, or works not intended for music like 32 sonnets, translations from Greek, spiritual poems or odes for weddings, as well as his over 2.600 published letters. If these numbers are impressive in themselves, the wealth of musical production Metastasio’s poetry inspired in the composers of his century is simply staggering and made of him the by far most influential librettist not only of his but very likely of all times: these 28 opera librettos were set to music as unthinkable 1.050 operas.

Operatunity
Operatunity
Orfeo, Garsington Opera
Orpheus and the power of song

Part human, part divine, Orpheus embodies the power of song. The sun god Apollo is said to have taught him his skills as a musician and poet. He deployed them to charm his contemporaries on earth but, beyond that, to gain entry to the forbidden territory of the underworld. It is no wonder that he became the emblem of the artist who transcends mundane cares and brings us closer to eternal verities.

Nor is it a surprise that Orpheus has been chosen by so many composers as a symbol of the artist, whose life’s work is to strive, to fail, but to be remembered, to become immortal. 

Centre de Perfeccionament Palau de Les Arts
The OperaVision Podcast

OperaVision next generation podcast series charts the journeys of singers on four young artist programmes across Europe – Oper Frankfurt, Palau de les Arts, the Rossini Opera Festival and Opera for Peace. Every month, stage director and podcaster Nina Brazier, brings you privileged backstage access to masterclasses, rehearsal rooms and dressing rooms.

Janáček and Brno are intimately linked
Wagner and Weill
Strong Women in Opera: Carmen

Since the opera's premiere almost 150 years ago, Carmen has dominated opera stages worldwide. A femme fatale who beguiles every man who meets her, and dare one add, every theatre-goer at that, she has become the poster girl for sexual liberation and the unconditional will to freedom. ‘Free I was born, and free I will die!’ she famously calls out right before she is stabbed to death by her jilted lover.